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While Margaritas has inhabited the building since 1999, it has a rich history dating all the way back to 1785 when it was built by Asa Dunbar.
Asa, formerly a minister from Salem Mass., became a lawyer in Keene the same year the house was built. His wife Mary supported her five small children by opening the house as a tavern.
Keene is today a center for insurance, education and tourism.
Maxine Sans (2011) is a basic humanist sans family. Gretta (2011) is a minimalist sans with missing strokes. Typefaces from 2012: Noki (a great slabbed squarish typeface family), Xira (angular), the sturdy geometric display font Zafra, and the fat squarish techno family Mossimo. It is unclear whether Grey Sans (2014) and Quire (2014) are typefaces. [ Adam Fathony (AF Studio, Bandung, Indonesia) created the vintage typeface Grandesa (2014), the signage typeface Magnifika (2014) and the Victorian typeface Marema (2014). [ Jakarta-based designer of the vintage typeface Pumper (2016), the Victorian signage typeface Hippia (2016), the script typeface Pat Judge (2016), the brush script Wilder Mood (2016), the signage typefaces Bostly Script (2016) and DBrakes (2016), and the weathered hexagonal typeface Broster (2016). Goudy 1898), APT New Hearst (1995, based on an original from Inland Type Foundry, 1901, which was famously ripped off from Goudy; the Italic was by Carl Schraubstadter, 1904), APT New Ticonderoga (1995-1996), APT New Woolly West (1995), APT Horizon Initials (1995), APT New Gill Floriated (1995), Old Gothic Initials Plain (1995: Lombardic caps), Pfister Bible Gothic APT Cameo (1997, blackletter caps), APT Saint Nick (1995: snow-themed caps). In 2012, he made Quarry (an outlined hand-drawn shadow font), Holt Sans (a Peignotian family), Unstable Slab, Mitosis (using bubbly dots), Radial (prismatic), and Airwave (techno). A New Machine created the beautiful hairline hand-printed typeface Hair Line (2011), Sweck Sans (2011, a sans with some contrast and a large x-height), Unstable (2011, a paper cut face), the sketch typeface Crosshatch (2011), and the modular Font Struct-like typeface Model UR (2011). By the early 1900s all had been absorbed by the Boston & Maine Railroad. Keene's manufacturing success was brought on in part by its importance as a railroad city, being the meeting place of the Cheshire Railroad, the Manchester & Keene Railroad, and the Ashuelot Railroad.